Jean Claude Van Damme

Jean Claude Van Damme-Double Impact Essay The movie opens twenty-five years ago in Hong Kong. The parents oftwo twin babies, Alex and Chad, had borrowed money from Raymond Zhang andNigel Griffith, two lead smugglers. They needed the money in order tobuild a tunnel between Hong Kong and the mainland. After the tunnel wasbuilt and the money collected, Nigel Griffith and Raymond Zhang had a gangof hit men massacre Alex and Chads family. Frank Avery, a friend of thefamily, races into the scene and finds the parents already dead. The twobabies are in the back seat with a maid. She takes Alex and flees thescene. Frank sees Chad left behind and takes him and runs. Twenty-five years after these events we find Frank Avery, who isplayed by Geoffrey Lewis, has raised Chad as his own kid. They own a gymin Los Angelos. Frank has been trying to locate the other brother for thepast twenty-five years and has finally found his whereabouts in Hong Kong,working for Raymond Zhang, played by Philip Chan Yan Kin, and NigelGriffith, played by Alan Scarfe. Frank and Chad go to Hong Kong and meethis brother. Interesting events take place when they arrive since Alexsgirlfriend Danielle Wilde, played by Alonna Shaw, thinks that Chad is Alex.Alex arrives and head butts Chad. When Chad revives from being knockunconscious, Frank convinces the two brothers to help avenge the deaths oftheir parents. The setting for this movie is very appropriate. They are in Hong Kongwhere the laws are not up to par with the American Style. This allows thecorrupt trades of Zhang, Griffith, and Alex to go on hardly disturbed bythe Hong Kong police. The dominant theme in Double Impact is vengeance and it is seen quitereadily once the action gets rolling. Alex and Chad are out to kill Zhangand Griffith for the massacre of their parents. As the movie rolls on, Alexbecomes suspicious of Chad because he thinks that he is playing around withhis girlfriend Danielle. We see Alexs thoughts of Chad with Danielle ashe becomes drunker and his mind imagines that they are having sex together. These thoughts enrage Alex and he fights his own brother. The whole movie was directed and acted very well considering Chad andAlex are both played by the same person, Jean-Claude Van Damme, whichjustifies the movies name, Double Impact. The main character Jean-ClaudeVan Damme plays more roles than just casting. He is also the fightchoreographer and one of the producers. His talent of kickboxing has comethrough in his first great achievement where he played as Frank Dux inBloodsport. Another great kickboxer in Double Impact is Bolo Yeung, whoalso played in Bloodsport, both times as the villain against Jean-ClaudeVan Damme. Although Jean-Claude Van Damme is mainly known for his kickboxing,Double Impact is a different story. The kickboxing and fighting has beentoned down somewhat in this movie. Most of the fights are with highpowered guns as they, Chad and Alex, seek to find Zhang and Griffith andkill them. The special effects in this movie are amazing. Not one placein the movie is it slightly obvious that Chad and Alex are both the sameguy, except that you know they are in reality. To top off the amazement onthe viewers part, the movie producers include a fight with Jean-Claude VanDamme against himself! How they pieced the fighting scenes like this oneand the special effects of the two brothers working together is a greatachievement. There has been so much time and precision taken into accountwhen the movie was produced and it shows through its many scenes of actionwith the two brothers fighting. In previous movies with Jean-Claude Van Damme, the dialogue has beenquite limited, but in this movie it is incredible. Jean- Claude Van Dammeplays two roles, each with a completely opposite character. Alex is atough guy in the smuggling business in Hong Kong and Chad is a Californiadude as an aerobic instructor in the gym Frank and himself own. .u4dd83d986bfc4671d4bd8a50d416c5a7 , .u4dd83d986bfc4671d4bd8a50d416c5a7 .postImageUrl , .u4dd83d986bfc4671d4bd8a50d416c5a7 .centered-text-area { min-height: 80px; position: relative; } .u4dd83d986bfc4671d4bd8a50d416c5a7 , .u4dd83d986bfc4671d4bd8a50d416c5a7:hover , .u4dd83d986bfc4671d4bd8a50d416c5a7:visited , .u4dd83d986bfc4671d4bd8a50d416c5a7:active { border:0!important; } .u4dd83d986bfc4671d4bd8a50d416c5a7 .clearfix:after { content: ""; display: table; clear: both; } .u4dd83d986bfc4671d4bd8a50d416c5a7 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u4dd83d986bfc4671d4bd8a50d416c5a7:active , .u4dd83d986bfc4671d4bd8a50d416c5a7:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u4dd83d986bfc4671d4bd8a50d416c5a7 .centered-text-area { width: 100%; position: relative ; } .u4dd83d986bfc4671d4bd8a50d416c5a7 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u4dd83d986bfc4671d4bd8a50d416c5a7 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u4dd83d986bfc4671d4bd8a50d416c5a7 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u4dd83d986bfc4671d4bd8a50d416c5a7:hover .ctaButton { background-color: #34495E!important; } .u4dd83d986bfc4671d4bd8a50d416c5a7 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u4dd83d986bfc4671d4bd8a50d416c5a7 .u4dd83d986bfc4671d4bd8a50d416c5a7-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u4dd83d986bfc4671d4bd8a50d416c5a7:after { content: ""; display: block; clear: both; } READ: Definition of down syndrome Essay Overall, the movie is written, produced, acted, and directed verywell. It deserves high accolades and should be seen by any action movieenthusiast. Watch it for yourself and you decide.

Ways of Seeing Similarities in Point of View in Cathedral and A Conversation with My Father

The short stories Cathedral by Raymond Carver and A Conversation with My Father by Grace Paley, while they differ in characterization, both employ a detached narrative point of view to create an emotional experience of profound isolation in the reader.Advertising We will write a custom essay sample on Ways of Seeing: Similarities in Point of View in Cathedral and A Conversation with My Father specifically for you for only $16.05 $11/page Learn More In Carver’s (2006) story, we learn the emotional isolation experienced by the narrator almost immediately, through his description of his own wife’s attempted suicide, and his description of the death of Robert’s wife. Carver’s narrator maintains a cold distance from the emotional impact of having very nearly lost his wife before he met her. Carver’s narrator seems more engaged by the competition between himself and his wife’s first husband, as evidenced herein:  "one night she got to feeling lonely and cut off from people she kept losing in that moving-around life. She got to feeling she couldn’t go it another step. She went in and swallowed all the pills and capsules in the medicine chest†¦But instead of dying, she got sick. She threw up. Her officer–why should he have a name? he was the childhood sweetheart, and what more does he want?† (Carver, 2006). As Bullock (1994) details, in the narrator’s account of his wife’s attempted suicide, â€Å"the figures in the story—the wife, the officer, the blind man—seem a long distance away, tiny separated figures, observed by a detached, all-seeing eye. They might as well be figures on the screen of the television.† Similarly, when the narrator describes the loss of Beulah, Robert’s wife, he betrays an almost savage disregard for Robert’s emotions when he says, â€Å"Beulah’s health went into rapid decline. She died in a Seattle hospital room, the blind man sitting beside the bed and holding on to her hand. They’d married, lived and worked together, slept together–had sex, sure–and then the blind man had to bury her. All this without his having ever seen what the goddamned woman looked like. It was beyond my understanding† (Carver, 2006). Significantly, the narrator never names his wife. He identifies her only by role. This omission creates a distinct absence of personality in the woman. The narrator feels no real connection with her as a human being, aside from a mildly competitive instinct to assert his ownership over her body when she falls asleep and her robe opens in front of Robert. The point of view on display from Carver’s narrator reveals the vast emotional distance that exists between himself and other people, and he transmits and transfers this distance to us, the reader. The narrator feels nothing when describing intensely emotional events; he recount s them as though they were news.Advertising Looking for essay on comparative literature? Let's see if we can help you! Get your first paper with 15% OFF Learn More As a result, the reader’s own emotional experience comes to resemble his: muted, and disengaged. Carver’s use of point of view allows us to perceive the world from the same standoffish, sharply critical distance that the narrator does, and ironically, this brings us closer to him. The narrator in Grace Paley’s (2006) A Conversation with My Father follows a different characterization than Carver’s, however, the point of view contains the same chilled â€Å"distance between observer and observed† (Bullock, 1994). Paley’s narrator initially appears more animated, more engaged, than Carver’s. An example occurs in the story’s opening when she expresses â€Å"I want to please him, though I don’t remember writing that way. I would like to try to tell s uch a story, if he means the kind that begins: â€Å"There was a woman†¦Ã¢â‚¬  followed by plot, the absolute line between two points which I’ve always despised. Not for literary reasons, but because it takes all hope away. Everyone, real or invented, deserves the open destiny of life† (Paley, 2006). Such passages suggest that Paley’s narrator might be more sympathetic to the plight of other humans than Carver’s narrator, and therefore, more capable of true human emotional empathy, however, when we look closer, we see that Paley’s narrator, like Carver’s, identifies her father exclusively by role. He is never named in the story. Also, Paley’s narrator betrays the same disparaging judgmental point of view as Carver’s when she says, â€Å"people start out fantastic, you think they’re extraordinary, but it turns out as the work goes along, they’re just average with a good education† (Paley, 2006). Critic s such as Wilde delineate this story’s meaning via gender roles, and link gender to ways of seeing. Wilde (1987) explains that in A Conversation with My Father, â€Å"the paternal world – encoded in the father’s request that his daughter compose â€Å"a simple story †¦ Just recognizable people and then write down what happened to them next† –- bases itself on unexamined and peremptory powers of discernment and identification. Defensively but still smugly, it prescribes an impossibly â€Å"simple,† stable, and objective mirror to reflect what it takes to be the inevitable, sequential trajectory of life’s beginnings, middles, and ends.† However, the narrator herself displays the same critical, arm’s length point of view as Carver’s, which results in a similar isolating emotional experience in the reader. The way that the narrator tells the story of the neighbor across the street barely conceals her disapproval of the woman’s choices, as we see here: â€Å"Although she was often high herself, certain good mothering reflexes remained, and she saw to it that there was lots of orange juice around and honey and milk and vitamin pills.Advertising We will write a custom essay sample on Ways of Seeing: Similarities in Point of View in Cathedral and A Conversation with My Father specifically for you for only $16.05 $11/page Learn More However, she never cooked anything but chili, and that no more than once a week. She explained, when we talked to her, seriously, with neighborly concern, that it was her part in the youth culture and she would rather be with the young, it was an honor, than with her own generation† (Paley, 2006). In this passage we see real similarities between the dismissal of emotion portrayed by the Carver narrator when describing the death of Robert’s wife and the near death of his own. Similarly, Paley’s narrator passes judgment on the neighbor woman’s motivations, as we see in this section: â€Å"In order to keep him from feeling guilty (because guilt is the stony heart of nine tenths of all clinically diagnosed cancers in America today, she said), and because she had always believed in giving bad habits room at home where one could keep an eye on them, she too became a junkie. Her kitchen was famous for a while – a center for intellectual addicts who knew what they were doing† (Paley, 2006). There is a sarcastic and dismissive undertone to Paley’s narrator’s description, which echo’s Carver’s narrator description, as seen here: â€Å"She could, if she wanted, wear green eye-shadow around one eye, a straight pin in her nostril, yellow slacks, and purple shoes, no matter. And then to slip off into death, the blind man’s hand on her hand, his blind eyes streaming tears–I’m imagining now–her last thought maybe this: that he never even knew what she looked like, and she on an express to the grave. Robert was left with a small insurance policy and a half of a twenty-peso Mexican coin. The other half of the coin went into the box with her. Pathetic† (Carver, 2006). Within Paley’s narrator’s description of her neighbor lies the same biting judgment and fault finding as Carver’s, and the same dismissal of emotional context as it pertains to action. The short stories Cathedral and A Conversation with My Father, at first glance, appear very different, not only because the narrators differ in gender, but also as the writing styles feel opposite. Carver’s voice remains minimalist and monotonous throughout, while Paley’s contains more tonal shifts and humor. However, upon closer inspection the reader sees that both narrators employ the same superior, cold, remote approach to human interaction, both pass harsh judgment on others, and both refer to those closest to them â €“ Carver’s narrator’s wife, and Paley’s narrator’s father – exclusively by role and function, as opposed to by name. Both stories thus create an isolating emotional experience on the page and in the reader.Advertising Looking for essay on comparative literature? Let's see if we can help you! Get your first paper with 15% OFF Learn More References Bullock, C. J. (1994). From Castle to Cathedral: The Architecture of Masculinity in Raymond Carver’s ‘Cathedral’. The Journal of Men’s Studies, 4, 343-351. Carver, R. (2006). Cathedral. The Norton Introduction to Literature. A. Booth, J. P. Hunter, K. J. Mays (Eds.). New York: W. W. Norton Company. Paley, G. (2006). A Conversation with My Father. The Norton Introduction to Literature. A. Booth, J. P. Hunter, K. J. Mays (Eds.). New York: W. W. Norton Company. Wilde, A. (1987). Grace Paley’s World-Inventing Words. Middle Grounds: Studies in Contemporary American Fiction. E. Elliot, (Ed.). Philadelphia, PA: University of Pennsylvania Press. This essay on Ways of Seeing: Similarities in Point of View in Cathedral and A Conversation with My Father was written and submitted by user Maci O. to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.

How to Grow Ammonium Phosphate Crystals

How to Grow Ammonium Phosphate Crystals Monoammonium phosphate is one of the chemicals included in commercial crystal growing kits because it is safe and practically foolproof for producing a mass of crystals quickly. The pure chemical yields clear crystals, but you can add food coloring to get any color you desire. The crystal shape is perfect for green emerald crystals. Difficulty: Easy Time Required: 1 day What You Need Monoammonium phosphateHot waterClear container Growing Monoammonium Phosphate Crystals Stir six tablespoons of monoammonium phosphate into 1/2 cup of very hot water in a clear container. I use water heated from an electric drip coffee maker and a drinking glass (which I wash before using it again for beverages).Add food coloring, if desired.Stir until the powder is completely dissolved. Set the container in a location where it wont be disturbed.Within a day, youll have a bed of long, thin crystals blanketing the bottom of the glass, or perhaps a few large, single crystals. Which type of crystals you get depend on the rate at which the solution cools. For large, single crystals, try to cool the solution slowly from very hot down to room temperature.If you get a mass of crystals and wanted one big crystal, you can take a small single crystal and place it in the growing solution (either new solution or the old solution that has been cleared of crystals) and use this seed crystal to grow a large, single crystal. Tips If your powder doesnt completely dissolve, it means your water probably should have been hotter. Its not the end of the world to have undissolved material with these crystals, but if it concerns you, heat the solution in a microwave or on the stove, stirring occasionally, until its clear. Monoammonium phosphate, NH4H2PO4, crystallizes in quadratic prisms. The chemical is used in animal feed, plant fertilizers, and is found in some dry chemical fire extinguishers. This chemical may cause irritation and itching. If you spill it on your skin, wash it off with water. Inhaling the powder may lead to coughing and a sore throat. Monoammomium phosphate is not toxic, but its not exactly edible.

French Terms Related to Hanukkah and Judaism

French Terms Related to Hanukkah and Judaism Hanukkah is a Jewish festival of survival and freedom that lasts for eight days. Learn some French vocabulary related to this annual Jewish celebration. Le Nom du Festival: The Name of the Festival Because Hanukkah is a Jewish holiday with a Hebrew name, it may be spelled several different ways: English spellings: Hanukkah, Hanukah, Hanukka, Chanukahï » ¿French spellings: Hanoucca, Hannouccah, Hanouccah, Hanoukka Hanukkah is also known as the Festival of Lights (la Fà ªte des Lumià ¨res) and the Feast of Dedication (la Fà ªte des dà ©dicaces). Les Dates de Hanoucca: Hanukkah Dates Hanukkah begins on the 25th of Kislev, the ninth month in the Jewish calendar, and lasts for eight days. It occurs on a different date every year of the Gregorian (solar) calendar - sometime in November or December. La Nourriture de Hanoucca: Hanukkah Food Food is a big part of the Hanukkah celebration. Most of the traditional foods are fried in oil, in remembrance of the oil that lasted for eight days, while others are made with dairy products: cheese  Ã‚  Ã‚  le fromagedoughnut  Ã‚  Ã‚  un beignetto fry  Ã‚  Ã‚  friremilk  Ã‚  Ã‚  le laitoil  Ã‚  Ã‚  huile (feminine)potato pancake (latke)  Ã‚  Ã‚  une galette aux pommes de terresour cream  Ã‚  Ã‚  la crà ¨me aigre Le Vocabulaire de Hanoucca ~ Hanukkah Vocabulary Here are the French translations for some terms related to Hanukkah, as well as Judaism in general: blessing  Ã‚  Ã‚  une bà ©nà ©dictioncandle  Ã‚  Ã‚  une bougieDecember  Ã‚  Ã‚  dà ©cembredoor  Ã‚  Ã‚  une porteDreidel (spinning top)  Ã‚  Ã‚  la toupieeight days  Ã‚  Ã‚  huit joursfamily  Ã‚  Ã‚  la famillegame  Ã‚  Ã‚  un jeugift  Ã‚  Ã‚  un cadeauJewish  Ã‚  Ã‚  juifkosher  Ã‚  Ã‚  casher, kashermenorah  Ã‚  Ã‚  la Mà ©norahmiracle  Ã‚  Ã‚  un miracleNovember  Ã‚  Ã‚  novembrepocket money  Ã‚  Ã‚  argent de pocheprayer  Ã‚  Ã‚  une prià ¨reSabbath  Ã‚  Ã‚  le sabbatsong  Ã‚  Ã‚  une chansonsunset  Ã‚  Ã‚  le coucher de soleiltemple  Ã‚  Ã‚  le templevictory  Ã‚  Ã‚  la victoirewindow  Ã‚  Ã‚  une fenà ªtre

The World of Prison Staff Research Paper Example | Topics and Well Written Essays - 1250 words

The World of Prison Staff - Research Paper Example It is a general observation that in people oriented occupations fatigue and passivity results into burnouts. Positions in criminal justice system, like that of a correctional officer in prison, is stressful than other people oriented jobs, from many angles. It is a job of adversarial nature where, interaction is mostly negative. Correctional officers are required to supervise inmates who are not willing to be there and they are also required to make them co operate. Stress is more pronounced in female officers than males, due to working in male dominated environment and work-home conflict. Officers with more experience (12 years or more) or prolonged duration of duty (one year at a stretch) feel more stress than others. Similar is the case with older age officers. Two variables increase stress consistently; these are dangerousness of the job and role problems. Correctional officers have to perform two conflicting roles of ensuring custody of prisoners and taking care of their needs a s well. Conflicting roles at times create stress. Nature of job is definitely dangerous as prisoners are often criminal and dangerous. Educated and minority race officers face more stress due to maladjustment. If correctional officers remain satisfied within their organization’s strength, job satisfaction comes naturally. ... The general stress is the result of experiences in the workplace and occupational stress is due to nature of the job. The contributing variables towards stress of correctional officers can be divided into individual (gender, educational and correctional experience, role problems and perception of dangers), organizational (supervisory & peer support, administrative strength and job satisfaction) and jail factors (training, direct supervision and jail unit). Stress related to age and race is not significant. There is interesting evidence in studies, which suggest that results of stress related to correctional officers are, similar and these are independent of jail, prison or setting. By nature, the job of correctional officers is dangerous requiring him to maintain order and ensure custody and well-being of inmates. In addition to normal functions, they have to perform court related duties, which results into conflict in duties, and added stress. Officers experience lowest level of str ess in strict custody capacity. Improved communication with supervisors and focused performance of job can significantly reduce stress. If the jail is made organizationally sound, workforce feel more relaxed. If the correctional officer believes that he has more control over the work environment his stress is significantly reduced. When an officer has some say in policymaking, his supervisors hear him attentively, and sincerely, he enjoys his work more and feels relaxed. It is important that officers must have authority in their jobs and they should be rewarded on good performance in the form of salary increase and promotions. Job satisfaction is directly proportional to stress in jail environment, if it is not there, the situation leads to burnout. Job satisfaction not

The pollution of East Yangtze River in China Essay

The pollution of East Yangtze River in China - Essay Example Thesis statement: It is evident that pollution is threatening the existence of the East Yangtze River in China because the river’s downstream economic region is highly polluted due to industrial wastes, agricultural pollution, shipping discharges in general. Basically, this river (say, East Yangtze River) originates from the Qinghai-Tibet Plateau and flows through different districts in China and ends its journey at the East China Sea. To be specific, this river begins its journey at Qinghai and ends its journey at Shanghai. The banks of this river are filled with agricultural areas, industrial zones, and acts as a lifeline for one-third of the total population of China. This river is most important for the nation because its flow is limited with the borders of China and boosts up agricultural production and industrialization in general. This section examines the grass-root level reasons behind the pollution faced by the East Yangtze River within Chinese context, and this section is broadly divided as: industrial wastes, agricultural pollution, shipping discharges. The process of rapid industrialization in China, especially in the eastern China pollutes the East Yangtze River. For instance, the factories based upon metal industry allow metallic waste materials to enter the river and it results in metal pollution. Similarly, paper-making industry (say, factories/paper mills) in the banks of the river allow toxic waste materials to enter the river. This sort of polluting waste particles can contaminate river water and can affect aquatic life in general. The SEPA report in the year 2000 proves that the river Yangtze and its tributaries are forced to face the after-effects of the rapid industrialization in Chinese context because the river system is treated as a dumping yard (Hill 2010: 280). Besides, the shipbuilding industry results in the

Presentation of Self in Everyday Life Essay Example for Free

Presentation of Self in Everyday Life Essay A Canadian-American sociologist/writer named Erving Goffman, proposed the dramaturgical perspective or the theory of â€Å"dramaturgy† in his book: The Presentation of Self in Everyday Life, in order to explain the behavior of people. The book catered the interest of many readers as it was published initially in 1956. Not only mentioning the successful integration of the dramaturgical approach as a major contribution in Sociology, Goffman, was also criticized for the detraction of such authentic-written style of research he used as compared to the conventional researches that was used by many researchers and proponents of some theories. Goffman, as a competent and keen observant, combined different theories related to support and create his new theory of dramaturgy (Sannicolas, 1997). Moreover, the focus of this paper then, is to discuss the relevance of dramaturgy in everyday scenario of a man’s real life. Body Dramaturgy is a term popularized by sociologist, Erving Goffman, pertaining to the study of mechanisms of man’s social interactions by means of communication and â€Å"face-to face† encounters. Dramaturgy emphasizes the creation or projection of â€Å"roles† attempting to be congruent and accepted in the norms of society where a particular man or â€Å"actor† belongs in order to avoid ostracism and harmful discrimination of the majority group at their backs (an example of backstage behavior). It also functions for man to rehearse and practice one’s ideal goals for the purpose of portraying those roles into the â€Å"stage† or real world (frontstage behavior), and to be viewed by perceived viewers or onlookers (audience). The dramaturgy or dramaturgical perspective can be best understood by showing an example in some personal and professional situations. For instance, in a particular scenario, a play, an act or a drama occurs; perhaps, a person encountering an acquaintance or friend, may be â€Å"forced† in the situation to greet the person coming nearby and may therefore reveal a phony or a fake smile in order for the other person not to think negatively about the person who is expected to greet. The second person on the other hand, would and might as well return the greetings back because of the perceived â€Å"rightness† of the act as implied by the social norms and equity rules. Moreover, these two different persons may perform and engage in a talk and communicate through non-verbal gestures and of course, verbal language; these persons then, may use or show a facial mask or a facade we call in psychology, the â€Å"persona†. In a professional situation however, a good example may be the HR interviewer and the applicant (interviewee): both would have to perform their assigned and implied roles as for the HR interviewer, has to appear intimidating, serious, and straightforward with less smiles, and for the applicant’s part, one has to act as the confident but not so arrogant and aggressive projected image to impress the interviewer and has to act that one knows what one is doing and the position applying for (Sannicolas, 1997). Conclusion Further, it is concluded that the theory of dramaturgy explains the tendency of people to project rehearsed roles for the purpose of perfecting their interpersonal social skills. Sincere or not, obsequious or assertive, man’s mechanism is explained as such dominated by those internal ideal roles that is projected and performed outwards by persons in social situations (Sannicolas, 1997). References Sannicolas, N. (1997). Erving Goffman, dramaturgy, and on-line relationships. Retrieved October 31, 2008, from, http://www. dinicola. it/sit/Cybersoc%20Issue%201%20-%20Erving%20Goffman,Dramaturgy,and%20On-Line%20Relationships. htm